And as I am sure you already know, I am so happy, and so relieved, that you like this. In my perverse way, I am even happier and more relieved that you liked it without knowing it was me -- if you really didn't, and weren't only saying that to soothe my jangled nerves.
This Hisoka was interesting to me in that he's so much bleaker and colder than in other timestreams where I've found him. (Of course, I normally intervene sooner than post-Kyoto, which does have something to do with that.) And yet, this was one of those happy instances where the character practically took over and wrote the thing for himself: that's my Hisoka, all right, every bit as much as the Hisoka of "And Not Your Yellow Hair." So now, if I can block off the time and energy, I'm going to have to do the after-Remix navel-gazing post, and go on and on and on about why I keep dragging Muraki into the middle of relationships between Tsuzuki and Hisoka, and why despite Muraki's undoubted evilness my subconscious remains utterly convinced that this is a Good Thing.
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This Hisoka was interesting to me in that he's so much bleaker and colder than in other timestreams where I've found him. (Of course, I normally intervene sooner than post-Kyoto, which does have something to do with that.) And yet, this was one of those happy instances where the character practically took over and wrote the thing for himself: that's my Hisoka, all right, every bit as much as the Hisoka of "And Not Your Yellow Hair." So now, if I can block off the time and energy, I'm going to have to do the after-Remix navel-gazing post, and go on and on and on about why I keep dragging Muraki into the middle of relationships between Tsuzuki and Hisoka, and why despite Muraki's undoubted evilness my subconscious remains utterly convinced that this is a Good Thing.